lunes, 15 de junio de 2015

"Dido, Reina de Cartago," de Christopher Marlowe, dirigido por Mónica Maffia sube al Teatro El Cubo en Buenos Aires





“Dido, Reina de Cartago,” es la única obra de Christopher Marlowe con una mujer como protagonista, además es un espectáculo dirigido por una mujer, Mónica Maffia. Se trata de Dido, la princesa fenicia que escapando con su hermano asesino llegó a las costas de Africa y fundó el poderoso reino de Cartago. Entretanto, Eneas, huyendo de la destrucción de Troya con su mandato de fundar Italia, naufraga en las costas de Cartago. El naufragio, servirá a las diosas Venus y Juno, dos antiguas rivales, para promover un pacto que se servirá del amor que harán nacer entre Dido y Eneas.
Ese amor pone en crisis los planes individuales de cada uno: en el caso de Dido, la estabilidad del reino de Cartago y en el caso de Eneas, su gesta épica. Esta manipulación de los sentimientos humanos por parte del Olimpo, produce una angustia existencial en los amantes, en la hermana de Dido y también en el Rey de Getulia, enamorado de Dido, generando una tragedia al dificultar la visión de los límites entre las propias decisiones y aquello que es resultado del designio divino.
El espectáculo ha sido declarado de interés Cultural Nacional por el Ministerio de Cultura de la Nación. Además, el libro ha sido declarado :de interés” de la Honorable Cámara de Diputados de la Nación Argentina y “Trabajo Destacado” en los “Premios Teatro del Mundo” rubro Traducción 2014 y “Trabajo Destacado” en los “premios Teatro del Mundo” rubro Edición 2014.

 Desde este Sábado 13 de junio a las 17 horas en el Teatro El Cubo, Zelaya 3053.


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ELENCO:   ​
Dido: Gigi Courtade
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Eneas: Ezequiel Fernández
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Venus: Mónica Maffía
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Jarbas: Aitor Miguens
 
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Ana: Thaís Cavero
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Nodriza: Livia Fernán
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Jun
o: Pía Risi 
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Júpiter: Diego Rodgue
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Mercurio: Patricia Calzada
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Acates: José Pirolo
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Cupido: Paula Paris 
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Sergesto y Ganímedes: Brenda Lafalle
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Ascanio: Jaqueline Bourguignon
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Ilioneo: Patricio Ibez
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Cloanto: Agustín Villavicencio

domingo, 14 de junio de 2015

Guns. Should there be control?



Wondering what to do next Friday in Harrisburg, Pennsylvania, after you get out of work? What about the “Harrisburg Gun Show?” with 1,000 tables, 200 of them exhibiting machine guns? That’s what you can read in an ad in the Lancaster Sunday LNP June 24th edition. The event is scheduled for June 19, 20 and 21 at the Pa Farm Show Complex. Besides the machine guns, you can inspect handguns, modern guns, fine antique arms, shotguns, rifles, knives, militaria and accessories. And you can buy, sell or trade!
Rightwing groups such as the National Rifle Association adamantly defend the right of citizens to acquire weapons and, in fact, there are very few restrictions on the purchase even of dangerous arms such as machine guns and rapidly repeating rifles. Even so what is to stop third party purchases?
Repeated shootings at schools and other places have raised voices of alarm concerning the ease with which weapons can be purchased in the U.S.A. Although not directly related to the gun market policy, police in localities across the nation have begun to exhibit weapons and war paraphernalia—in the wake of rising concern over the killings of Afro-Americans by police.  
Among the often scary proposals to deal with the shootings and the possible control over the sale of weapons, there have been frankly outlandish proposals such as maintaining armed guards at schools, but the purchase and sale of arms is not only a political issue: it involves an enormous amount of money.
The U.S. is the most “militarized” economy in the world: its present defense budget is $786.6 billion, around a fifth of total budgetary expenditures and slightly less that the budget for social security. The amount of money spent on military related items in the U.S. is more than that spent by the next 13 military spenders around the world.
It is estimated that civilians in the U.S. have approximately 300,000,000 guns or 101 guns per 100 persons.
Defenders of the present lax controls on the purchase or sale of guns point to the Second Amendment of the U.S. Constitution: "A well-regulated militia, being necessary to the security of a free state, the right of the people to keep and bear arms, shall not be infringed." However, the final authority for interpreting the meaning of that amendment is the U.S. Supreme Court, which until now has upheld the right of individuals to buy, sell and bear arms.
Many gun owners purchase guns for hunting. However, many of the weapons on sale—such as machine guns—are not or should not be used for hunting.
Another factor often pointed out is the militarization of U.S. society. Following World War II, General Dwight Eisenhower warned about the “military-industrial complex,” the tendency of military officers to occupy positions in corporations to facilitate business operations. Likewise, the history of the county is so closely associated with war that the country practically has not known an extended period of peace. The wars against the indigenous inhabitants, against the Mexican-Spanish influence in the west, the Civil War, the 1898 war in Cuba and the Philippines, World War I, World War II, numerous military intrusions in the Caribbean, Korea, Vietnam and the present prolonged war in the Middle East.
This has created a cult of the military expressed in the lucrative business of war movies and the bang-bang movies that often occupy the best seller lists, not to mention novels and video games. Politicians from right to left all basically agree on the need for the U.S. to intervene in any country in the world where the country’s “vital interests” are involved.
Since the Cold War Washington has argued that peace can only be maintained by maintaining a defense system so powerful that it can act as a deterrent to any potential aggressor. A similar argument is used by those who defend free access to guns in the country: they argue that possession of weapons deter potential aggressors.
Where is this mentality taking the country? Is it true that having bigger and better weapons can keep the peace? Is it not true that the illegal sale of weapons around the world is one of the world’s most profitable businesses? Is there not a danger that these weapons fall into the hands of groups involved in extremist or warlike activities? Is there not also a potential danger in converting wars into private affairs with private armies provided with weapons purchased on the “free market?”

martes, 9 de junio de 2015

Rebecca Barry: "Recipes for a Beautiful Life" a Memoir in Stories



     With an airy step and dressed in a fiery red dress Rebecca Barry approached the stage last Sunday afternoon at the Rongovian Embassy—a cozy enclave in the heart of Trumansburg, New York—wearing a Mona Lisa style smile that was half for herself and half for the several dozen persons gathered at the bar for the reading of her latest book, “Recipes for a Beautiful Life.”
     She speaks as she writes, in flowing streams of self-criticism, humor, truth and the comings and goings of the everyday life of a mother who is also a critically acclaimed author (a previous book, “Later at the bar,” received mention as a New York Times notable book and was also a best seller).
     The Times is right on when on the back cover of “Recipes” it says that her characters are “so smart, hilarious, and real that one can’t help being utterly seduced by them and what their lives teach us.” The characters are the real life persons that inhabit Rebecca’s world.
     Before reading chapters from her book, persons of all ages enjoyed exotic drinks, specialties of the Rongovian Embassy, such as “Suffering” (gin, brandy, Rose’s lime cordial and ginger beer or “Dead-Done Dying? Add some rum, get it done, or more prosaic options: lemonade or coca cola.
      So when Rebecca accommodated herself on the stage, amid the prancing and dancing of her four and a half year old niece Sophie, her audience was already attentive. “Recipes” is subtitled “A memoir in stories.”  The mother-author takes notes of what happens to her and those around her in her daily life as mother and writer and then with great skill injects those events with the structure of an experienced story-teller.
     A look at the table of contents provides a good warm-up to the narrative exercises that are to follow: “How to be a Dilettante;” “How to get the romance back into your marriage;” “How to quit your job;” “How to fall back in love with your life;” “How to say what you really think;” “How to let go of a dream;” “How to finish a project;” “How to deal with rejections, Part I;” “How to have a nervous breakdown;” “How to have a long distance relationship.”
     But Rebecca understands that words are toys as well as tools. She is not really giving recipes; rather she processes her own life as the raw material for elaborating entertaining real life stories which (most) readers can relate to as if they were their own experiences.
      Rebecca moved to upstate New York with her husband, publisher Tommy Dunne, so that they could be surrounded by the area’s natural beauty and so they could find inspiration for their creative work. But dreams have their complications: the repairs that old houses need, money problems, those days when words just won’t find their way to paper, the highs and lows of everyday life, sleepless nights, the neighbor’s adventures with musical instruments, getting the children off to school, sudden doubts about her role of mother and a writer, moments of despair, of love, of genuine joy, how a woman’s profession intermixes with bringing up lively rambunctious children…
     Her writing reads almost as spontaneously as a class of yoga breathing—and just for the record, there is a chapter or two about her Yoga lessons.
      Some enticing openers:
     How to Unleash Your Inner Superwoman: October 16, 2007: “This morning I was sitting on the couch reading a story to Liam (her son) when he interrupted me, looked at my chest, and said, ‘Mom, do you use your boobs every day?’ I looked down at my breasts, sitting in their underwire harness. “Not as much as I used to,” I said to Liam.”
     How to Quit Your Job December 2, 2007. “Tommy came back from a week in New York yesterday, and today when we were in the car coming back from getting groceries, he said that his company was offering a severance package for people who volunteered to be laid off, and he was thinking about taking it.”
     How to Lose Your Baby Weight January 15, 2008. “This morning in the car Liam said happily, ‘Mommy, you’re fat.’
“’Liam!” I said. ‘That is not a nice thing to say.’ I was trying to drive, which I actively dislike doing.
“’But you are,’ said Liam. ‘Your belly is fat because I was in there.’”
     Recipe: Heal Your Heart “Sit in a quiet room with a notebook. Ask yourself what it is that needs to be healed. Write for ten minutes—a letter to your heartache, or to yourself. Dear heartache, Dear (your name here), Dear body I’ve been talking about so meanly, Dear former self who did something I’m so ashamed of, Write a litter to this person, body part, ghost that has been haunting you. Put it away. Go pick a fight with someone you love. Repeat until you realize you are both on the same side.”
     How to Deal with Rejection, Part 2. June 13, 2011. “Today my new editor called to talk about my latest revision. ‘First of all, I love the main character,’ she said. “She’s funny and warm and I really identify with her.’
“’Great!’” I said, and held my breath, waiting for the ‘but’ I knew was coming.’”
Applause, hugs, kisses. Oh! The afternoon would not have been complete without the performance of “Coffee Shop Boys”--actually rather more than boys—who did a rendition of “Paperback writer:”
        “Dear Sir or Madam, will you read my book?
         It took me years to write, will you take a look?
         It’s based on a novel by a man named Lear
         And I need a job, so I want to be a paperback writer
              Paperback writer…”

Rebecca Barry:  http://recipesforabeautifullife.com