lunes, 4 de mayo de 2015

Ted Johnson: "The amount of energy stored in the ocean is over 4,000 times what the world uses every day."



In the face of the growing evidence and concern around the world that the use of fossil fuels to produce energy is contributing to contamination and the warming up of the planet, Ted Johnson, vice-president and executive director of Ocean Thermal Energy Corporation, strongly believes that a clean alternative energy resource is in the world’s oceans. Jaquematepress contacted him to discuss this possibility.   
How is thermal energy obtained from the ocean?
Well, 80% of the earth’s surface is water. Therefore, the amount of energy absorbed in the ocean is far greater than any of the land masses. And the energy is stored in the ocean as heat.
So you take advantage of the difference in temperature between the temperature at the bottom of the ocean and at the surface?
The technology we use is called the “heat engine.” It’s the same technology used in a heat pump or a refrigerator. We simply reverse the process. Whenever you have a hot medium and a cold medium you produce steam and therefore from that you can produce energy by means of a Rankine heat engine, which is basically like a steam engine. But in Ocean Thermal Energy Corporation (OTEC) we don’t have boiling water. More than 80% of the power plants in the U.S.A. use Rankine heat engines, using coal and oil and gas as the energy used to operate the plant. However, in OTEC we don’t have those very high temperatures which you get by burning fossil fuels. What we have is a closed room Rankine heat engine, which is the same technology that you have in heat pumps.
So the key is that with this technology you don’t use fossil fuels…
Exactly. You hit it on the head. When you use fossil fuels you burn them that is you are burning dead plants and animals but under pressure. That produces a lot of energy but when you burn fossils you emit contaminating gases. At OTEC we don’t burn anything. We just use this Rankine heat engine.
Is it fairly easy to set up this kind of thermal technology?
It’s easy. The technology was actually invented by a Frenchman over one hundred years ago. You might say the idea originated with Jules Verne, the man who wrote “20,000 Leagues under the Sea.” He was a scientist who had a lot of great ideas. A colleague of Jules Verne, a university professor, had a student called George Claude, who came up with an idea related to thermal energy and tried it out in Cuba well over 100 years ago. The problem he had in building it was the technology of the day, you know, large pipes and heat engines. You can actually visit Cuba now and see where he built a thermal plant. It wasn’t until the late ‘70’s that the United States became interested in OTEC energy.
What happened to that initiative, why didn’t it proceed?
What made the U.S. government invest in OTEC? Not only OTEC but other renewable technologies, way back in the 70’s. It was the Arab oil embargo. So the price of a barrel went up, say, from $2 to ten times that price. The price went through the roof and there were limited supplies, long lines…it was a national crisis. OTEC technology was tested thoroughly at this national energy laboratory. But then guess what happened? The embargo ended and oil became dirt cheap again and nobody cared about renewable energy. If we had only stayed on the path of OTEC we would have these alternative sources of energy working today. Oil became so cheap that none of the renewable energy methods could be put into practice.
It’s getting cheap again, isn’t it, with the use of shale… 
Yea, that’s right. What I was going to mention was back in those days, in the 70’s, people weren’t so aware of the environmental damage produced by fossil fuel based energy. They didn’t care. They would burn the cheapest thing. So all of this alternative energy activity went to a lower level. However, some OTEC research continued with the U.S. government. When the embargo started they put solar panels on the roof of the White House, I don’t know if you know that. Then they tore them down. We got addicted again to cheap dirty oil, with all of the political implications of that around the world. But around the early 1990’s very large oil pipes which OTEC needs were developed. That allowed OTEC to be scaled up. Now we are at the commercialization stage, with large and small companies involved.
What is the resistance at presence to going into this form of energy now?
What the world is waiting for is the first commercial size OTEC plant. In the 70’s the plants that existed were just to test the technology. Now with the larger pipes we can commercialize.
A possible problem might be that you need to establish the plants where you have very deep oceans…
Yes, in general you need very deep ocean water but more important is to have very cold ocean water. Anyway, around 50% of the world’s population has access to the kind of ocean water needed to set up an OTEC plant. Another important aspect of OTEC—aside from being clean and sustainable—is the ability to provide constant power. Power obtain from the wind and the sun is not consistent. The solar systems are only about 20% efficient. And wind comes and goes. So to operate that way you need a fossil fuel back up. With OTEC the energy is stored in the ocean, so it is just a question of taking it out. The amount of energy stored in the ocean is over 4,000 times what the world uses every day.
What about contamination. Does energy produced by OTEC produce contamination?
What OTEC does is to bring up the cold water. It does not chemically change anything. And the water extracted is always contained in the pipes. What OTEC does is to take cold water and then returns it to the ocean—actually at slightly cooler temperatures. With fossil fuels you’ve got the problem of CO2 and so forth. In terms of environment effects—which by the way have been studied way back since the ‘70’s by the by the National Oceanographic Association (NOA) and other groups for any environmental contaminating effects. There is one that can be mitigated and that is when you bring up cool water from great depths you also bring up algae and like elements to the surface. But what is brought up remains in the pipes and is returned to the ocean.
You are taking the water from very deep areas where you have micro-organisms, is that not right?
The water is usually taken at a depth of around one thousand meters and at that depth there is almost no life. It is very dark, very cold and there is no sun light. The deep water in the oceans actually came from the glaciers and polar ice caps and was so cold that it stayed at the bottom undisturbed and very pure. It is good water for the human body and it can be bottled. Hawaii is actually exporting that kind of water!
Does it have the same amount of salt as the surface water?
It’s a little different because of the temperature and doesn’t have as much salt. You are not going to find anything living down there, although occasionally you get one of these very strange deep sea creatures that are very white because of the lack of sunlight down there. Every few months in Hawaii we get one of these creatures in the cold water pipes. They go into a pond where they can be taken out and returned to the bottom of the sea.
Something like a Lockness Monster!
Yea, they are very strange.
What are the potential political complications which might appear with the massive introduction of OTEC energy?
There are still no commercial plants, however Lockheed has an agreement with China to commercially build Ocean Thermal Energy plants. The Chinese really want to work on this but they are still putting together the technology and the design. They have not yet developed the system. There is also a large company in France, for Martinique. In terms of research and development, the Japanese have just set up a research and development plant, likewise in South Korea and Malaysia is about to do so.
Is there any development of ocean thermal energy in South America?
There is no activity, although some of the smaller ocean energy companies have made visits to the area. However, we did talk to Petrobras, the big Brazilian oil company and they seemed very interested.
Senior vice-president and executive director, doctor of science from Western University http://otecorporation.com/
800South Queen street, Lancaster, Pennsylvania, U.S.A.
Dr. Johnson is responsible for OTEC and SDC program development and management including technology and engineering at OTE Corporation.
Dr. Johnson previously served as a Director at Lockheed Martin’s New Ventures Organization, where he focused on the development of the Ocean Thermal Energy Conversion (OTEC) business. Dr. Johnson’s history in OTEC goes back to when he assumed the leadership of the heritage Lockheed’s Ocean Systems Division in Sunnyvale, California. Lockheed’s Ocean Systems Division built and successfully tested the Mini OTEC system off the Hawaiian Islands. Dr. Johnson continued to direct work on OTEC and several years ago launched an effort in Lockheed Martin to accelerate OTEC technology development and commercialization as a base load clean sustainable energy generation technology. Other energy related work that Dr. Johnson had been involved in while leading the heritage Lockheed Ocean Systems Division included wave energy systems, fuel cells, and biofuels.
Prior to this, Dr. Johnson held a number of P&L line management assignments in Lockheed Martin, including Director of International Oceans Business, Homeland Security Director, and Director of Adjacent Markets. Before joining Lockheed Martin, Dr. Johnson held a number of senior management assignments of increasing responsibility with Honeywell, Inc. where he started his career as a Senior Principal Research Scientist at the Honeywell Corporate Research Center.
Dr. Johnson is a member of the board of Directors of the Ocean Energy Council, Ocean Renewable Energy Council, Geothermal Research Council and the National Hydropower Organization, as well as other professional societies. Dr. Johnson received the Ocean Energy Pioneer Award in 2009 for his pioneering work on OTEC. Dr. Johnson holds a Doctor of Science Degree from Northwestern University, where he also attended the Kellogg Graduate School of Business Management.

Carla Christopher, The Priestess, Poet Laureate of York, Pennsylvania, U.S.A.




She is open, engaging and provokes reflection in her writing and in the empathy which emanates from her deep felt convictions. Her name is Carla Cristopher, although poets know her as “The Priestess.” Carla is Poet Laureate for York Pennsylvania and nominated for the Torch of Global Enlightenment Awards. Poetry flows from her being as in these lines from “I will come for you:”
“In dreaming landscape
built and colored with impossibility,
in waking fantasy
thrumming with anticipated escape,
there find me…”

 Upon hearing her recite some of her poem, we invited Carla to chat about her vision of art, politics and life.
--How did poetry come into your life?
--I wrote my first poem for the Reflections contest at my elementary school in central Michigan. The moon was God's teardrop falling into the ocean. I loved to read and I loved words from early on because I had a mother who was the same way. Once I started writing poetry and music and stories, I just never stopped. It was fantasy, possibility and a whole other way of looking at the world. I liked how the world looked through the lense of what could be.
--Poetry is a wonderful means of expression. What is it for you?
--Poetry began as a way to self-discovery. To develop my own possibilities. It then became a way to work through and to understand my feelings and emotions and to process experiences. I then began to work through other's experiences and the connections I felt with family, friends and those who I met. Stories that I heard. Now, I write almost entirely social justice poetry. I write to move, I write to move people. To preserve the history of experience and emotion. To use the power of words to help other people know they are not alone and that their experiences and stories have value.
--What are the main issues which appear in your poetry?
--The main issues that I write about are the ones that have become horrifyingly common in my audiences and that have provoked the most powerful and moving responses from audience members. Domestic violence, sexual assault, racial justice, self-acceptance, equality, the healing powers of love and nature. I write the stories of people.
--Being named poet laureate certainly must have come as a gratifying surprise.
--I was incredibly honored to be named Poet Laureate. The process in York is quite exhaustive. You already have to be teaching, running at least one venue, be published, teach a sample lesson, write customized poetry and perform a mini-show as well as complete an interview before a panel of local art community authorities and even the mayor. The night of my final interview I was so nervous I almost didn’t go. That’s what I love about York, though. It’s a large enough city to have culture, diversity and possibility but it is a small enough town to give opportunity and the ability to make change that would not otherwise be possible.
--How do you go about writing? Are you method oriented, as Edgar A. Poe was or are you more spontaneous?
--When I write deliberately and personally, I prefer a long chunk of time and a peaceful, quiet place. I put on some music with a slower, melodic pace. Jazz, folk, trance, classical... Then I pull out ideas that I wrote spontaneously on napkins, in my phone etc and develop them, play with them and let them come. Other times I will write straight into my cell phone, or on a notebook page, my cell phone, or on a notebook page or into my computer while at a poetry reading or a concert or even at a red light. When it flows, it flows. I used to be much more at the mercy of inspiration, although I have always written well in workshops and writing classes when I could be surrounded by other creatives and reading the great work of other poets. Then I learned about the Beat poets and spent six months only performing poetry that I had written on the spot, about that moment and informed by that moment. The discipline of writing on the spot, of using my environment for inspiration, ensured that I almost never suffer from writer's block! It was a poetic life, a changing experiment.
          --Would you say that there is a particular poetic sense for the Afro-American poets?
          --Every African-American poet is of course different, but in general, the African-American community of artists has made a point to be informed by emotion and by current events and sensibilities as much as by form and tradition. There is a spontaneous, creative and responsive nature to African-American poetry and minority based on art in general that comes from a legacy of survival and triumph that is ever present, even in our poems of love and nature.
          -- Do the rhythms of soul, jazz and expressions of Afro-American culture influence your writing?

          --In terms of rhythm, I am more informed by the classical and traditional music I grew up singing as a choral performer or moving to as a dancer. I have also always been fascinated by the passionate pulse of the music and movement of Indian, Middle Eastern and North and West African music and percussion. The poets of the Harlem Renaissance are of writing. The mythology and the spirituality of different cultures are also a frequent themes and sources of inspiration. The ideas of struggle, caring, community, passion, spontaneity, responsiveness and triumph that are the result of my moving through the world as an African-American however, are very much a part of my writing. It just might be expressed differently from how the same reality inspires other artists of color from different regions or tastes.
        --Recent events seem to indicate that the poison of racism continues? What do you think?
--Not only does the poison of racism, classism, sexism, ageism and other prejudice still exist, but as the divide between those in power and those who are the victims of institutionalized inequality grows, hopelessness will continue to corrode and rage will continue to erupt within our communities. Poets and artists will continue to be the recorders of these emotions and the heralds who call to action those needing inspiration to fight back, to fight against.
Contacts: Email: poetrywarrior@gmail.com

Carla has been featured on several recordings and in multiple anthologies and publications including Pennessence, Sylvan, The York Dispatch, The York Daily Record, The Hanover Sun and Central PA Magazine. She is the author of three full-length collections of poetry; Song (Columbia University Press, 2000), Baby, Read Me Something with Rhythm (PoemSugar Press, 2011) and Out Loud (PoemSugar Press, 2015) and released a full-length CD of poetry; We Be Poeting  and the ep Of Water Born with the spoken word ensemble, Poetic Voices, on SoulThief Records (2015). Carla has won numerous awards for her work, including multiple citations from the National Federation of Poetry Societies and the Pennsylvania Poetry Society in 2011 and a 1st Place and the Grand Prize 1st Place in the Pennsylvania Poetry Society 2014 competition.