Jerry Miller, former Brethren minister, always has a harmonica in his pocket and a song in his heart. Jaquematepress chatted with him recently, following a concert in Lancaster.
You have very successfully combined a number of quite diverse
activities during your artistic development but I understand that you used to
be minister in the Brethren church…
Well, the Brethren, the Mennonites
and the Friends share their belief in conscientious objection. The roots of the Brethren go back to 1708, some 200 years
after the Mennonites; the Friends--also known as the Quakers--do not have the Anabaptist roots of the Brethren and Mennonites.
With very close ties to the land…
That’s right. When they came to
the United States in the 1720’s and 30’s the Brethren as well as the Mennonites
landed in German Town, near Philadelphia and then began migrating south and
west following the development of agricultural areas. Now the Brethren are also
integrated into urban areas.
I understand that you have combined that background with singing and activism in ecological issues. What came first?
Well, when I was around 20 I
started carrying a harmonic in my pocket and I was inspired by some Blues
players and also by Bob Dylan who was really cool when he was playing the
harmonica, the guitar with the piano. At about that time I got into the
ministry, originally with the Jesus Movement.
What was that?
It was actually a bunch of
hippies across the United States who started their own approach to religion.
Were they also involved in the anti-war movement?
Yea, there were some overlaps
certainly during the 1970’s.
Let’s go from that to your music. How does a song appear?
That’s a wonderful question. I
love that question. You know what? I’ve been a song writer most of my life
without knowing it. I used to just start singing, whatever came to mind. I didn’t
realize until recently that that’s how you do it! I didn’t take myself
seriously until I was in my 50’s. There were two guys in the church where I was
pastor at the time, a drummer and a guitar player. They had been playing
together since ten years of age or so. When they heard me play the harmonica
they asked me to join them. So we formed a trio and I started to bring songs to
the group and they liked them and wanted to perform them. So I thought, ‘I must
be a song writer.’ But your question was how a song appears. I’d say that most
of the time it starts with a phrase. I could pick up a newspaper and start
singing it.
Not easy to sing what’s in a newspaper!
Maybe it wasn’t great but I could
usually find a rhythm and a combination of words.
What about the music? One thing is the lyrics, but where does
the music come from?
It comes pretty much by itself. I
don’t have formal training in musical composition. Most song writers play the
guitar or the piano but I don’t. What I do is when a guitar player comes to our
rehearsal I’ll say here’s a new song and start singing it and we work out the
music. But the melody come pretty quickly.
In your concerts you also use a number of unusual instruments. Do you
make them?
No. What I was playing the other
night in the concert were Native American instruments.
Do your songs also go back to indigenous themes?
Not that much but the Native view
of Creation has very strongly influenced my thinking and that moves into some
of my compositions. But it isn’t so much because of having listened to Native
music, it is more the thoughts that are involved.
But your songs do very strongly reflect your involvement in ecology.
My interest in 'ecology' is long-standing. It began decades ago. When I was a pastor I was not involved in issues such as that simply because I couldn't have gotten away with being an 'activist," doing things like lobbying Congress, writing letters to the editor expressing opinions on political issues or doing civil disobedience resulting in arrest. So it was after I retired in 2010, when I was 62, that I began to participate actively in the struggle.
I have heard that the Susquehanna River, near Lancaster, is one of the
most contaminated rivers in the U.S. Is that true?
Yes indeed. What triggered my song “Susquehanna Lament” was information indicating that the Susquehanna was the country’s most
endangered river.
What is the cause of that contamination?
What triggers the contamination
especially is hydraulic fracking. And the Marcellus Shale as you probably know
runs through much of northern and western Pennsylvania and many of the upper
regions of the Susquehanna River run through the shale area. So some of the
fracking fluids find their way into the water. Not only that. An enormous
amount of water is taken from the river for the fracking operations. They need
millions of gallons of water every day. And of course they use secret formulas
which include many poisonous chemicals.
Is there much awareness in this area concerning conservation and the
potential danger of contamination?
In the minds of most people I
would say that it is pretty far down the priority list. But there is a strong
core of persons strongly concerned about the consequences of ecological
destruction. Some of our younger activists have established strong ties with
people who live out in the shale areas. It is troublesome to hear an unusual
amount of pipe line explosions and things of that nature related to the shale
business.
It would appear to be an economic as well as political issue.
Yes, we won’t solve this until we
make the transition from a high carbon to a low carbon economy. That’s why I am
working with Citizen’s Climate Lobby. We need everyone to fight against the new
pipelines and the extraction endeavors as much as possible but it is clear that
there is so much political power behind the powerful oil industries that there
is strong resistance to change. But if we can shift to a low carbon economy and
make it expensive to continue with the high carbon economy we might begin to see
some change.
The idea would be to use taxes to make it more expensive to continue
with traditional oil operations?
Yes, we need too bring about a massive shift in
the use of capital and money. The proposal is to establish a fee level for oil,
gas or the import of carbon based products. Charges levied would be in accordance with the amount of
potential carbon dioxide that would be emitted.
The problem would appear to be how to get such a law passed in
Congress.
Yes and that won’t be easy but we
are hearing from some corporations involved that say they would like to put a
price on carbon just because they know that there are going to be battles fought
on the issue. I have been told that one thing that the corporations like is
predictability because they want to be able to predict their costs. We want it
to be a revenue neutral tax so as not to get involved in the political issues
of tax between Republicans and Democrats. We want the money accessed to be
given to American households, to cushion the inevitable rise in costs. Investors
will see the advantage of investing in alternative sources of energy. It is a
market oriented approach. We will get nowhere if we use the language of
regulation. If there are enough people asking for change it will happen.
Could we end this conversation with the words of your song “The
Susquehanna River?”
“When I reached the Susquehanna
River,
I knelt down to take a drink,
Cupped my hands filling them with water,
That’s when my heart began to
sink,
This is not the way it was before
When the Native Peoples first found this shore,
I can’t stand what has been done, oh
Susquehanna,
Lovely Susquehanna, who can drink
your water…”
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